FEATURED HEADLINES
Food: The Ubiquity of Pumpkin *
FEATURED FOOD - * COVER STORY *
The Ubiquity of Pumpkin
A Look at Fall's Trendiest Flavor
Written by Angie Sykeny (asykeny@hippopress.com)
Images: Courtesy Photo
From cupcakes and ice cream to lattes and beer, pumpkin-lovers have no trouble finding their favorite flavor when fall creeps in. The explosion of pumpkin-flavored everything started as a trend but seems to have evolved into more of a tradition; coffee shops, bakeries and breweries start rolling out their pumpkin-flavored menu items each year as soon as summer starts to wind down, anticipating their customers’ eagerness to get a quintessential taste of fall.
Why Pumpkin?
In Your Cup

Something Sweet
Baked Goods & Desserts
Beer & Wine
Coffee & Tea
Ice Cream & Candy
Restaurant Dishes & Cocktails
News: Mental Health Misconceptions
FEATURED NEWS
Mental Health Misconceptions
The Stigmas Behind Mental Illness & How To Start Changing Them
By Ryan Lessard (news@hippopress.com)
Images: Courtesy Photo
Derek Quintey suffers from depression. A middle-aged man from Londonderry, he was losing a lot of work because of it and didn’t tell his bosses what was going on for fear of how they’d react. But when he decided to seek treatment in June, it was actually his employer who helped him, through an employee assistance program that helped him confidentially navigate the resources available. Health care workers recommended partial hospitalization and connected him with a support group in Nashua.
A Social Disorder

Education
Exposure Therapy
Arts: Lively Weekend
FEATURED ARTS
Lively Weekend
New Ways to Experience ArtWalk
Written by Kelly Sennott (ksennott@hippopress.com)
Images: Courtesy Photo
Nashua’s 12th annual ArtWalk is Saturday, Oct. 15, from 11 a.m. to 5 p.m., and Sunday, Oct. 16, from noon to 4 p.m., and as usual, visitors will find artists — over 100, more than ever before — exhibiting and selling work at various downtown venues.

ArtWalk
See the Picker Artists’ New Home
Music: For Fiddling Fanatics
FEATURED MUSIC
For Fiddling Fanatics
Music School Hosts Inaugural Fall Fiddle Festival
Written by Kelly Sennott (ksennott@hippopress.com)
Images: Courtesy Photo

Concord Community Music School Fall Fiddle Festival
Film: Review of Girl On The Train
FEATURED FILM
Film Review
The Girl on the Train (R)
Written by Amy Diaz (adiaz@hippopress.com)
Images: Screenshot of The Girl on the Train
Emily Blunt is a woman so lost she’s not sure if she’s seen a murderer or become one in The Girl on the Train, an ultimately kind of lightweight story given gravitas by Blunt’s standout performance.

Grade: B-
Pop: Race of the Pumpkins
FEATURED POP
Race of the Pumpkins
Gofftstown Giant Pumpkin Weigh-Off & Regatta Returns
Written by Matt Ingersoll (listings@hippopress.com)
Images: Courtesy Photo
It was the year 2000 when Jim Beauchemin of the New Hampshire Giant Pumpkin Growers Association reached out to the Goffstown Main Street Program with a fun way to use the last of the pumpkins they’d grown that season.

Goffstown Giant Pumpkin Weigh-Off & Regatta
MORE HEADLINES
Ride of the Undead
Ride of the Undead
Zombie Bike Ride invades Nashua
Written by Matt Ingersoll (listings@hippopress.com)
Photo: Freas Photography
Drawing inspiration from the nationally recognized event held every year in Key West, Florida, the first annual Nashua Zombie Bike Ride will roll through downtown, adding its own New Hampshire flavor.

Nashua Zombie Bike Ride
Take Your Pick
Take Your Pick
Where to Go for Pick-Your-Own Apples & Pumpkins
Written by Angie Sykeny (asykeny@hippopress.com)
Photos: Courtesy Photo
If you’re looking for a fun way to get outside and make the most of this harvest season, consider taking a trip to one of these local farms where you can pick your own apples and pumpkins. Many farms will have their orchards and patches open until Halloween — or until there’s nothing left to pick, so farmers recommend getting there sooner rather than later if you don’t want to miss out. Always confirm pick-your-own availability by calling the farm or checking the farm’s website for updates. Know of another place to pick your own apples and pumpkins that isn’t listed here? Let us know by sending an email to food@hippopress.com.

Street Eats
Street Eats
Nashua Gets its Own Food Truck Festival
Written by Angie Sykeny (asykeny@hippopress.com)
Photos: Stock Photo
Nashua is celebrating the food truck trend for the first time this year with a festival dedicated to food on wheels. The first annual Nashua Food Truck Festival is happening Saturday, Oct. 15, in the upper parking lot of R.J. Finlay & Co. on Temple Street.

Participating Food Trucks
1st Annual Nashua Food Truck Festival
Speakeasy Spirit
Speakeasy Spirit
Rye Whiskey Released at Roarings 20's Party
Written by Angie Sykeny (asykeny@hippopress.com)
Photos: Courtesy Photo
After nearly three years of aging in barrels, Flag Hill’s much-anticipated batch of straight rye whiskey is making its debut — speakeasy style.

Weekly Review: Mythologie & More
Weekly Review: Mythologie & More
Written by Eric Saeger (news@hippopress.com)
Photos: Album Art
Delerium, Mythologie (Metropolis Records)

Grade: A+
Holy Sons, In the Garden (Partisan Records)

Grade: A
The Voice
The Voice
Aaron Neville Plays Intimate Area Show
Written by Michael Witthaus (music@hippopress.com)
Photos: Courtesy Photo
When Aaron Neville steps on stage Saturday night in Plymouth, the show will be all about his voice — the tremulous falsetto that’s propelled hits from “Tell It Like It Is” to “Don’t Take Away My Heaven,” and the voice of Neville the storyteller. Accompanied by piano player Michael Goods, the singer promises a free-ranging, often impromptu performance.
“It’s like a musical journey of where I come from,” Neville said in a recent phone interview. “People don’t want us to leave because it’s like I’m in my living room, and I’m just treating them to stuff that’s real ... a little bit of everything, and stories about my life."
One topic likely to come up is Neville’s hitmaking collaboration with Linda Ronstadt in the late 1980s and early ’90s. The two connected in Neville’s hometown in 1984.

“She was in New Orleans with Nelson Riddle … and she came to see me and my brothers at Pete Fountain’s club,” Neville said. “Someone told me she was in the audience; I dedicated a song to her and then called her up on stage.”
A year later, they sang “Ave Maria” together at a benefit show. “She said we should get together and record, right then and there,” Neville said. “We made ‘Don’t Know Much,’ and I said, ‘I’ll see you at the Grammys.’ I know that was saying a lot, but it was a great record. "She would tell people our voices were married, like we sang together in another lifetime.”
Stricken with Parkinson’s disease in recent years, Ronstadt no longer sings, but Neville reports that the two speak often. “I always remind her she was one of the greatest, and that I’m so grateful she and I were on the planet at the same time and we had a chance to sing together,” he said.
Ronstadt also served as Neville’s producer on 1991’s Warm Your Heart. “She did a great job — that’s one of my favorites,” he said.
Like most of his albums, the songs were curated for him; Neville’s reputation is as an interpreter, from his earliest hit “Tell It Like It Is” to his last Top 40 song, 2006’s “It’s All
Right.” On his latest album, Apache, for the first time he’s both singer and songwriter; nine of 10 tracks on Apache are Neville originals.
“I write poetry and I write rhythms,” he said. “Anytime I write, at the same time I’m thinking about rhythm.” Thousands of these poems are stored on Neville’s iPhone, and when he connected with Soulive guitarist and in-demand producer Eric Krasno, he found a way for them to become songs.
“He read my mind and arranged the music just the way I wanted it,” Neville said. David Getter of Widespread Panic also contributed to a funky stew of New Orleans rhythms, deep funk and heartfelt soul. The centerpiece is “Stomping Grounds,” a song that almost was the album’s title. It’s a travelogue of Neville’s hometown and influences, name-checking a panopoly of artists who with Neville helped define what Jackson Browne called “the city that gave us the first American music.” Writing the song was almost effortless, even for a man who lets the muse find him before he begins.
“It was so easy, “ Neville said. “When I write I can’t sit down and plan. It has to come to me, I have to be inspired, [but] it was like somebody was telling me what to write about.”
Closing out the album is “Fragile World,” a plaintive spoken-word track with a groove reminiscent of “Hercules,” an early hit written by Allen Toussaint. The song catalogs the pains of the planet, from natural disasters to unnatural horrors like suicide bombers.
“At least animals kill for food, man kills in his neighborhood,” he says, while referencing Marvin Gaye’s “Mercy Mercy Me” and “What’s Going On.” Krasno and Getter set it to music. “That was something that started as rhymes coming from my heart,” Neville said. “This is the real deal, this is what we’re going to, and I wanted to lay it out. You can’t get out of the way, people killing themselves to kill other people.”
See Aaron Neville
When: Saturday, Oct. 15, 7:30 p.m.
Where: Flying Monkey Movie House & Performance Center, 39 Main St., Plymouth
Tickets: $55 and up at flyingmonkeynh.com
Across The Pond
Across The Pond
UK Based Folk Singer Plays New Hampshire
Written by Michael Whitthaus (mwitthaus@hippopress.com)
Photos: Courtesy Photo
Sarah McQuaid jumped into the music business in 1997, recording a disc of traditional Irish songs, then got out almost as quickly. After raising a family and growing weary of her day job, she got back in 10 years later. Encouraged by her experience leading a guitar workshop, McQuaid made a rootsy return album. To put it mildly, the landscape had changed, the era of big record deals giving way to iTunes. Though fraught with challenges, the shift suited McQuaid fine.
Many artist she knew likened getting signed to indentured servitude.
"They thought they were onto a brilliant thing, then either got dropped after one successful record, or stuck in development," she said in a recent interview. "It's a long hard climb, but I'm making a profit [and] that's better than scrambling to be the goose that lays the golden egg. At a grassroots level, there's always hope; all it takes is one nice break."
Her luck seemed to improve with the release last year of Walking Into White, a disc resplendent with insightful lyricism, driven by McQuaid's uniquely tuned guitar-playing and a singing voice that's a measure of Beth Orton brushed with Judy Collins.
A chance meeting with photographer Phil Nicholis led to McQuaid's visage appearing alongside those of Amy Winehouse, Joe Strummer and Lemmy Kilmister in Nicholis's Legends of Rock exhibition, and a world-class CD booklet. The stars seemed aligned, as the album made many Top 10 folk lists and a gushy Huffington Post story. Live shows were a different story, though, as she struggled to fill seats. A year in, the record is moving beyond the ripples of critics’ raves, and McQuaid's current tour hints at a turning point.
"It feels like it’s finally percolated through a little bit," she said. "I've had a couple of sold-out shows, and I'm seeing better turnouts at concerts. ... That's really heartening."
Of course, this isn't Beyonce success — McQuaid's gentle sound is a farm-to-table serving to the musical gourmand, and her biggest crowd might top 100 in an opera house. But speaking prior to a house concert in Colorado, she was excited the show had a waiting list.

"I don't think I had anything like that last year," she said, "but it's still not quite at the point that I want it to be."
McQuaid performs Friday, Oct. 21, at Red & Shorty's, a guitar-festooned listening room in Dover that's a favorite haunt for visiting folkies. It will be her second visit. The show caps a week-long New England swing and a coast-to-coast tour that began early September in Texas. Following a final show in Woods Hole, Mass., on Oct. 23, she'll do a month of shows around her current home base in western England, then settle into building a follow-up to Walking Into White. McQuaid hinted that potential studio players may turn it into a dream project.
"I have a musician that I don't want to yet name because we're not making it until next May," she said. "I don't want to jinx it by saying too much, but I have been a longtime hero worshiper of this musician."
Apart from a smattering of gigs, next year will be about recording. "We decided it would be good to take a year off of touring so I could really focus," McQuaid said.
She's already writing material, including an instrumental piece written for a friend's wedding. Her preference is for writing more than she needs and paring it down, a process that served her well on the last album. "I felt like I wound up with an album where all the songs fitted and flowed together very nicely," she said. "So I would like to do that again."
McQuaid reports that her muse took a strange turn of late.
"Without sounding too morbid, death has been running through, but in a good way," she said with a chuckle. "Death and decomposition, thinking about how all of those words relate to music as well [as] how notes decay is all whirling around in my head."
Teaching and writing books on guitar-playing helps McQuid continue as a musician.
"I don't make enough to pay taxes yet, but I am making a tiny profit," she said. "At the end of the day, I just have to keep making the best music I can possibly make
and giving the strongest performances I'm capable of. ... If I stay at the level I'm at, it's OK, I will have had a career. But it would be nice to break through to a slightly further level."
See Sarah McQuaid
When: Friday, Oct. 21, 7:30 p.m.
Where: Red & Shorty’s, 4 Paul St., Dover
Tickets: $20 at elysiumarts.com/folkclub
